Saturday, December 25, 2010

Tak perlu kerja RM10

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Tak perlu kerja

jana pendapatan daripada internet

BUAT DUIT TANPA RAGU-RAGU


 
ATAU SILA SKROL KE BAWAH ..SEHINGGA JUMPA PETAK MESSAGE..SILA ISI MAKLUMAT ANDA DISITU..


Tajuk Buku : Tak Perlu Kerja


Penulis :
En Mazri
Harga Pasaran:
RM40
Harga jika beli dari saya : RM10


Diskrpisi: Ebook Tak Perlu Kerja mengandungi 3 Kaedah penjanaan duit melalui internet. Pelajari bagaimana anda mendapat RM20 dalam masa 7 minit di rumah dan di depan komputer anda. Ikuti pembelajaran dari A-Z. Jangan miss setiap satu pun. Point yang diberikan perlu diikuti dan sememangnya pasti anda akan dapat menjana duit dengan sungguh berkesan.

HANYA RM10.00 SAHAJA !!

BENAR KAH INI..Untuk lebih lanjut tentang ebook ini, sila klik gambar bawah ini..
klik saya


Di akhir bab Tak Perlu Kerja, diberikan tutorial penjanaan duit dalam masa 7 minit. Sungguh berhasil. Cuba sendiri dan lihat hasilnya. Saya amat syorkan buku ini kerana ia akan beri selok belok teknik rahsia tersebut.





JANGAN TUNGGU LAMA2
ESOK JUGA ANDA TERUS DILEMA
DANGAN DUIT SELALU MENJELMA
APA BOLEH BUAT KAMU TERIMA.


JADI TEMPAH SEKARANG





The Concise Corsini Encyclopedia of Psychology and Behavioral Science (Concise Encyclopedia of Psychology)

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download ebook pdf

The Concise Corsini Encyclopedia of Psychology and Behavioral Science (Concise Encyclopedia of Psychology)


The Concise Corsini Encyclopedia of Psychology and Behavioral Science (Concise Encyclopedia of Psychology)
Wiley| ISBN 0471220361 | 2004-04-19 | PDF | 1112 pages | 7.62 MB



Edited by high caliber experts, and contributed to by quality researchers and practitioners in psychology and related fields.
Includes over 500 topical entries
Each entry features suggested readings and extensive cross-referencing
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Edited by two outstanding scholars and clinicians
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Dictionary of Plant Lore

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D.C. Watts, Dictionary of Plant Lore


D.C. Watts, Dictionary of Plant Lore
Academic Press | ISBN 012374086X | 2007 | PDF | 2.8 MB | 472 pages


Knowledge of plant names can give insight into largely forgotten beliefs. For example, the common red poppy is known as "Blind Man" due to an old superstitious belief that if the poppy were put to the eyes it would cause blindness. Many plant names derived from superstition, folk lore, or primal beliefs. Other names are purely descriptive and can serve to explain the meaning of the botanical name. For example, Beauty-Berry is the name given to the American shrub that belongs to the genus Callicarpa. Callicarpa is Greek for beautiful fruit. Still other names come from literary sources providing rich detail of the transmission of words through the ages.

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Concise Oxford English Dictionary 11th Edition (Portable)

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Concise Oxford English Dictionary 11th Edition (Portable)


Concise Oxford English Dictionary 11th Edition (Portable)

This major new edition (2004) of the world famous Concise Oxford English Dictionary provides an authoritative description of the English language. With instant access to over 240,000 words, phrases, and definitions, this program is ideal for anyone needing an up-to-date dictionary of current English on their PC for study, work, or home.
Cross-referencing, backtracking, cutting and pasting sections into your word processing document are just a few of the features you will find in this world-renowned best-selling dictionary. Containing meanings from street slang to scientific technology, this electronic dictionary will speed up your access to the English language.


Key Features:
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• Thousands of brand new words and senses from Oxford's unrivalled new words research.
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• Detailed appendices providing useful information on topics such as Prime Ministers and Presidents, the Solar System, and Chemical Elements.
• A 'Guide to Good English' plus hundreds of extra notes offering advice on grammar, punctuation, spelling and word usage.
• Interactive word games providing hours of learning and fun.

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Unknown Driver Identification

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Unknown Device Identifier enables you to identify the yellow question mark labeled Unknown Devices in Device Manager. And reports you a detailed summary for the manufacturer name, OEM name, device type, device model and even the exact name of the unknown devices. With the collected information, you might contact your hardware manufacturer for support or search the Internet for the corresponding driver with a simple click.


With this utility, you might immediately convert your unidentified unknown devices into identified known devices and find proper driver on the Internet and contact the hardware device manufacturer or vender. Known devices recognized by Micro$oft Windows will also be analyzed independent of the operating system.


You are suggested to do a thorough driver backup with My Drivers after you have identified all the unknown devices with their proper device drivers software installed.

Supported OS: Windows 95, Windows 98, Windows 98SE, Windows Me, Windows 2000, Windows XP and Windows 2003. Future OS are supported via the online update. You might even run the small freeware utility from CD or floppy.


Features
- Identify USB 1.1/2.0 Device
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- Multilingual interface: English, French
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- Contact Hardware Vender directly
- Save or Print Hardware information[/center]

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25,000 drivers for Windows

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25,000 drivers for Windows


No more need to spend hours on-line browsing for drivers .
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Helicopter arcade game

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Helicopter arcade game. Shoot-'em-up action with plenty of adventures and adrenaline. Players can try their pilot skills at three campaigns: Islands, Europe and the Middle East. As they complete levels, players gain access to new, more maneuverable helicopters, more powerful enemies and unexpected surprises.

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NAMA BANGSA KITAI TUSAH DEKA MANSANG MAJU

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NAMA BANGSA KITAI TUSAH DEKA MANSANG MAJU

Kebuah ia cukup mudah laban kitai selalu betalat ke penemu ti enda manah. Lalu enda kala percaya ke jaku urang ti udah maju tau ke berpelajar tinggi. Lalu enda kala nguji ngubah runding ti udah lama..

Chunto- chunto jaku kitai nya;
Enti semua urang pandai sapa ke kerja kontrek deh ?
Enti semua kerja perintah sapa ke kerja balak deh ?
Sapa ngumbai kerja batang enda besai gaji deh ?
Enda nemu aku ka enggau urang bebisnis (pengawa dagang)
Kapa aku tu nyadi kaya janji bahagia, agi mayuh tanah temuda
Enda ulih aku datai enggau urang ke bulan..
Dini kala kitai iban ulih enggau urang bedagang ngena internet..
Enti kaya tau ngasuh kitai masuk nereka..
Kapa nya aku sigi enda nemu awak ka urang bukai..
Agi mayuh kerja kopi ba pasar sibu deh..

Nyadi penemu ke baka nya meh ti ngasuh kitai enda tentu ulih mansang sesingkang.. nya kebuah kitai makin lubah ke maju lalu ngasai ke penyenang baka urang bukai..kaya baka urang bukai.. tiap – tiap ari kitai selalu besakar ke penemu ti enda tentu nyata dipeda. Runding kitai baka pama baruh tachu kelapa.( katak dibawah tempurung-ku jaku laut)

Bangsa bukai nyau makin jauh nyingkang tang kitai agi nanya ke saut ti udah ditemu saut tanya ia. Ti jaku tanya kitai nya sigi nadai saut ia enda ngawa ga..ke baru tadi kitai bisi nganjung siku angkasawan ngagai langit..tang mayuh agi dimenua yu madah ke kitai empu numpang aja..salah ke enti kitai numpang, laban nya singkang ti manah..

Dipeda aku kitai semina rindu ka ngiga penyamai,penyenang diau dimenua diri ketegal ti mayuh tanah..ketegal diau di dunya kemaya dia agi senang..enti nadai lauk, ambi kantok empasa/ubi di tengah laman tauka ujung tanju. Nurun ke tanah ngupa pantu, ngupa lalis, ngupa sawit enggau mayuh macam agi..nya meh penyenang ti enda bisi belama, engka ulih diasai ke kitai nyentuk ngagai 10 kini da agi..

Nya kebuah aku selalu berunding baka ni kitai iban tau kaya, enti enda kala nguji ke penemu baru. Tiap-tiap ari baka nya.enda kala ngunji nukar ngena cara bukai..

Lalu ditu aku deka ngemai kitai bala berunding ke siti pengawa dagang ti tau mulai ke asil ti besai.. nyangka kita ke kerja kebun, kerja sawit , kerja kontrek empai nemu, tapi bagi sida ti gawa ngena pemandai nyangka nemu tang engka bedau percaya.

PENGAWA DAGANG NGENA INTERNET DISATUP ENGGAU KOMPUTER..
Nemu kita mayuh urang diatu tau kaya mina duduk ari bilik aja.. kebendar sida gawa ngena komputer lalu nyual barang sida.. sida tu tau kaya bendar..nya alai kitai mesti ngembuan pemandai ba bidang internet.. aram meh kitai sama belajar lalu bedagang ngena internet..


TANYA AKU DITU
Sanggup kita belajar baka ni tau nyadi kaya..kaya-raya baka urang bukai. ANANG SALAH SANGKA KITA..ukai aku madah ke kita pengaya tu no 1 ba pengidup,,tang ari nya kitai tau bulih penyenang..ulih ga mantu bala bukai..

Ku laut, KAYA ITU TIDAK HARAM, enti digaga ngena jalai ti betul nitih ka ajar agama. Tentu kita mayuh enda setuju enggau penemu aku ngemai kita nyadi kaya..

UJI PERATI KA TU;

Enti nuan kerja perintah..tiap bulan bulih gaji nyampau nya belama.
Enti kerja kontrek kerja cukup bagas tang gaji enda setipak enggau pengelelak..
Bini anak enda tentu cukup belanja, ujung tau ngasuh gila, tauka belaya lalu sarak..

ENTI ngumbai aku bula, nadai ngawa,,pajak ke aja jalai nuan nya, nadai salah..

Nyangka kita deka nemu enggau silik agi.. BAKA NI JALAI NGIGA PENGAYA, kita tau bertanya enggau aku.. LALAU AKU.. jimat kita dalam dunya dagang internet takut ke tekena ke SKIM CEPAT KAYA..PANSIK DULU....................................

lapa nuan nadai sulu

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PANSIK BULA AKU..haha..
Anang percaya..
Lapa nuan nadai tawing, ambai tauka sulu ati ?? .. nguntik belama meh nya tang nadai kala bulih. Puas udah enggau urang ngabang nadai ga bulih sulu ati. Ditu rintai kebuah nuan enda diterima sida indu dara..

Dituju ngagai sida lelaki aja..25 kebuah nuan enda diterima.

1. Nyangka nuan sigi enda laku kini ( nadai endur ngait ka ati urang indu )

2. Bisi kurap kini sebelah tubuh, dagu, kuyu, dagu kini ( orang indu takut kena rampit)

3. Lumpit nuan peda enda mampi/penuh tiap bulan ( selalu nginjau duit apai indai)

4. Ukai urang ngena tupi singit tauka nangkin pen ba kucik baju kini ( lagu maxwell)

5. Nadai kereta,moto, nadai talipon bincing, nadai kad kredit..( nadai reta / milih pengaya)

6. Ukai urang kereja perintah..( kerja sawit kini, enda dipalik ka)

7. Nuan tu laki pemula mulut manis.(enda ulih dipercaya)

8. Engka nuan tu laki pemalu –malu terkuyung..

9. Laban nama nuan ’’Apai Aloi’’..( apai orang sapa ka)

10. Bisi jai karan untak kini ( agu meh nya)

11. Saiz sama enggau siti tong dram ( nadai saiz tangkup )

12. Kelalu chelum kulit ( baka bangsa negro, enda dipeda, kumbai sida indu dara pelancong lalu enda dilayan.)

13. Nadai leka puchau aki manang buban..

14. Kada enda nuan tu lelaki lembut deh ?? (pundan deh, biki kini..)

15. ngeli rabang tacak gerama, chelum laban nginsap rukuk apong.

16. bau tenggong tekura laban enda mandi bersabun..

17. engka sigi enda ngiga laban ngumbai diri sigat belama.

18. rindu deka nyadi bujang skrang..pelaba aku kes bahaya tu !!

19. nyangka naun tu kelalu milih. Enggai enda nyulok bintang di langit, enda nemu diri dibaruh lebak..

20. Engka selalu salah kuntik sampai ke terkuntik ke sulu urang tauka indai urang.. kes butang naun lagi..

21. tauka nadai duit kena bersulu.. darling nuan ngemai ngagai KFC, nuan madah kediri bedau terima belama. Tauka madah kediri deka diting taman bungai..ujung sulu nuan rari, laban nuan disangka kedekut.

22. baka ringgin pulai mansai kini pisen gaya nuan, ku ati din rock meh nuan tu ( lagu achan )

23. Engka meh nuan tu buruk gawa..enda diterima ke tawing, enggai ke enda terbeli ke tusu domex anak.

24. Salah skill nguntik, ku pelan ba ati deka ngijab ke mata tang gamal nyu baka naga, ngenakut ke ati indu dara..disangka muru..

25. LAST nuan tu sigi urang ti nadai special pendiau, enda sigat, nadai pengaraja, baruh penemu dalam dunya chinta...

haha.. bisi ngena kini. Anang ringgat auk. Nya jaku gagai aja..

TERIMA KASIH..

25 ulah enda tau digaga maya ke dariba karita !!

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25 ulah enda tau digaga maya ke dariba karita !!

Ngantuk sampai ke pala nyau tagun-tagun, au-au belama.


Muchau-muchau ngumbai dariba bukai enda nemu nyuwing ka karita.


Nyumpah sida lampu tripic, kumbai salah pasang ngacau jalai tauka muai belanja.


Nyumpah sida bala polis laban kelalu ngumba nyaga jalai nanya ke lesen belama, nama nadai pengawa bukai.


Ngidup ke lampu peneka ati, enggai ke enda kumbai orang bukai nadai api lawa kijab-kijab.ku ati din rindu meh orang meda.


ngehon- ngehon ke karita, nuda munyi kapal tungkang, enggai ke enda didinga..laban nadai radio.


Betalipaun maya dariba, ngisin nunda sida mat rempit, ambi kumbai orang staring, amat pan ngena henpun sikinhen ( second hand).


Muka cermin lalu ngeludah ke tisi, nunda skill sida ribai , KUBOI ku jaku.


Ngayan ke buku lima ngagai orang bukai, nunda samseng. Mantai pengering, tang pulai ke rumah takut ke bini.


ngetest pengering karita ,lalu lantak ke ngagai lampu tripik.


empekik nunda orang gila.. munyi antu kurir.


Nguji niru gaya mr bean, nukar tancut maya driba.


Enggai alah laban mr bean, merus ngeli maya driba, lalu empuru ngena ai cermin karita tauka ai enjin karita.


Nginjau talipon bincing driba bukai, madah kediri nadai kredit.


nguntik indai orang pulai ari pasar sebelah jalai.


Makai mee Maggie, lalu ngirup teh tarik.


berjoget nitih ke rentak lagu hindi..


nyabut bulu idung, dah nya nyeput tai idung.


Talipon ngagai bos ngumbai gamal ia jai..


PAKING ba endur ti ditulis ”kawasan larangan”.


ngena giya satu belama. Ku ati jimat minyak. BIAR LAMBAT ASAL SELAMAT.


meda cermin belama, madah kediri sigat/bajik baka palakun hindi.


ngena cermin mata chelum maya malam..


gustan kebelakang peneka ati..baka palakun ribai..


enggai alah pengelaju laban orang bukai, nekan giar penapat..

LALAU AKU...ANANG PECAYA KE UTAI TULIS AKU DATAS DIA..

NYA SEMINA KENA RINDU ATI AJA..ANANG NGANU AU..JAKU GAGAI AJA NYAK..

Ulah kitai iban 2

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pansik bula aku

ULAH MAYA JADI MELAKI BINI.


MAYA NURUN KEPASAR;

MAYA BARU JADI ( pengerindu agi dalam)
BINI: wai sulu , raun- raun tua suping (shopping)
LAKI: au sulu..di rumah buring ga.. ( nadai duit turun meh)

10 TAUN UDAH JADI
BINI: apai igat, kepasar bejalai kitai menyanak suping..
LAKI: lembau endar aku tu, lelah kerja.. nya kunci karita, kita aja lah.

LAMA DAH JADI
BINI: apai igat, kepasar bejalai kitai suping..
LAKI: nama suping-suping, nadai pegawa bukai pia.


MAYA NURUN KEPASAR.

MAYA BARU JADI
BINI: sulu makai ba KFC ulih ka..
LAKI: ok. No problem, lama dah enda kia..

10 TAUN UDAH JADI
BINI: sulu makai ba KFC ulih ka..
LAKI: ila meh, empai terima tu..

LAMA DAH JADI ( nyu enda tan agi)
BINI: sulu makai ba KFC ulih ka..
LAKI: tak kerja KFC sekali neh, ka endar makai kia
.

MAYA NGEMAS RUMAH.

BARU JADI ( agi rindu )
BINI: daling nuan nyapu, aku masu gari..nuan nyaga anak aku manduk asi..
LAKI: ok no problem ( jaku ribai amat pan enda tentu nemu)

10 TAUN DAH JADI ( semadi)
BINI: daling nuan nyapu, aku masu gari..nuan nyaga anak aku mandu asi..
LAKI: enda meda aku lelah naun..legi meh..


LAMA DAH JADI (nadai pengerindu agi)
BINI: daling nuan nyapu, aku masu gari..nuan nyaga anak aku mandu asi..
LAKI:Nama daling-daling, nama nyu enda nemu gawa agi pia.. (nganu)

MAYA MAKAI LEMAI

BARU JADI
BINI: Sulu lemai tu makai ba resturen au ?
LAKI: Au..

10 TAU DAH JADI
BINI: Sulu lemai tu makai ba resturen au ?
LAKI: nama agi bisi lauk ba dapur deh, sayau enda dempa

LAMA DAH JADI
BINI: Sulu lemai tu makai ba resturen au ?
LAKI: Lapa enda jadi terus enggau mamak kedai nya deh.. (nganu)

HADIAH

BARU JADI ( agi sayau)
BINI: Maya ari pengada aku , nama hadiah nuan wai sulu ?
LAKI: nama utai dikedeka nuan..

10 TAUN DAH JADI ( pengerindu dah kurang, bisi ati ka ngiga spil tayar)
BINI: Maya ari pengada aku , nama hadiah nuan wai sulu ?
LAKI: 10 taun dah ku meli ke nuan, nama enda cukup agi pia?

LAMA JADI ( nadai ati sayau agi, enti ulih, ka tukar aja)
BINI: Maya ari pengada aku , nama hadiah nuan wai sulu ?
LAKI: ka tampar pia..meli kediri ar..udah utai enda ibuh bePRISEN-PRISEN..


NAKA TU AJA DULU, ILA AKU NYAMBUNG PANJAI KA AGI ,,

ANTI MEH PENATAI ULAH KITAI MELAKI BINI..

UKAI DEKA NYERIRI SAPA-SAPA..TANG KA LALAU KITAI,..

ENTI ASAI BISI NGENA AKU MINTA AMPUN..

Ulah kitai iban

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pansik bula aku

ULAH PENDIAU KITAI IBAN TI ENDA TENTU MANAH DIKERJA

1.Maya nurun ngalu ke pasar, ketegal rindu ka meda bala cina bejual, tang nadai utai dibeli.

Ngalu- reti nya orang ti nurun ke pasar..

TANYA......
Enti ditanya nama pengawa ngalu punggal?
SAUT;
· Dia ia nyaut -cina bisi talipon enda tau enda ngalu
· tauka madah kediri-enda alah kumbai cina sumbong kitai
· Apek bisi mesan rindu ka betemu.
BISI SEKEDA NYAUT :
· rindu ka makai kolo mee apek kia
· ka meli tiket TOTTI aja, manah endar mimpi demalam
· ka meli surat kabar ( peda urang deka macha berita tang kebendar ka ngechik no TOTTI)
ENDA KURANG GA MADAH :
· Rindu ka talipon ngagai sida dom enggau endu.
· Tauka madah kediri deka nganti sida dom/endu talipon.

2.Kedalih ka enggau urang nurun ngabang.Enggai ka ditagang.

TANYA......
Enggau urang ngabang bakih? Tauka nama kebuah nuan enggau punggal?
SAUT:
· Eh sigi dipesan ke sida nama aku
· Enda nyadi program enti nadai aku.
· Enti aku tu enda sapa agi kitai serumah tu ka enggau deh, aku tu sigi rajin.
· Enda rami sida enti aku.
BISI MEGA NYAUT
· Rindu ka enggau urang nyabung, lama amat udah enda..mali urang penyabung baka aku tu enda enggau..
· Rindu deka bekaban enggau urang mayuh, meda kaban belayan
· Nama aku sigi bisi dirintai ka sida urang penting..ahli J3K..
· Enti agi bujang, deka ngabas sulu lama aku ba rumah ke nyadi nya..
· Enti agi bujang, Oo, endang sigi pengawa urang bujang deh nya..
· Enti agi bujang, nyangka bulih sulu kini..
· Enti apai urang, ngumbai diri malas uti..tauka lelenggau ka kaban lama..
· Enti sida ke dara, madah kediri deka nulong urang bebela ba dapur..kedalih aja.
· Enti saut sida ke lelaki, rindu deka disko, dangdut ,ngansar ke kaki enggau deka karoke..

ENDA KURANG GA MADAH;
· Bisi YB datai, enda tau enda aku.. enggai ia mantu kitai enti kitai nadai dipeda YB.
· Bisi penanyi (penyanyi) aya bebini dua datai merindang,penanyi achan..enda tau mis aku..aku peminat ia.
· Mayuh jani bunuh sida, aku enti makai nombor satu.. enti sebut ke jani..anang madah ka..

3.enti maya enggai nurun gawa..ketegal deka ngaga pengawa bukai..
enti sida nembiak ketegal ke meda cerita kartun. Enti sida ke dara ketegal ke meda cerita hindi..sida ke bujang ke meda GUSTI.

TANYA.
Aram nurun gawa kitai..

SAUT
· Enda nyamai isi tu.
· Empai ka tu.. lagi aku nitih dudi..dulu mupuk nuan..

BISI MEGA NYAUT
· Gawa berari enda nemu lelak ka..
· Enti sida kedara nyaut- madah kediri empai tembu bebasu gari, madah kediri ka ngiga lauk meh nya..tauka, kaban bisi ngemai bejalai lemai legi.
· Sida ke dara bisi mega madah- enggai ka chelum kulit, legi nadai pemajik..

ENDA KURANG GA MADAH
· Oo enda entu manah mimpi aku tu demalam.
· Bisi apument ( appointment) aku sari tu..
· Nama ukai cuti ka saritu..
· Ujung minggu ka relax ar..

4.maya kitai dipinta urang mayuh bejaku ba depan mantai ke penemu enggau lalau..

PINTA;
Dikena kitai nerus ka program.Au, diatu kitai ngangkat ka aya sanu bejaku ke depan kitu.ngambi ke bisi ngelalau kitai baka ka saritu.. Tempik ka jari..

SAUT..(leka jaku ia)
· sebedau aku bejaku , aku meri besai trima kasih ngagai kitai sehumah, laban udah ngangkat aku bejaku. Aku enda tentu nemu bejaku tu, nguji ga..tak nadai penemu aku tu eh..nya aja meh, ngawak ka urang bukai ga..(kumen- jaku enda tentu betul).
· Terima kasih, aku tu bedau mabuk tu..taja tadi udah ngelaban cap langkau. ( enti mabuk ngaku aja meh )
· Tak nadai runding aku..ka pan enda, bejaku dua tiga leka ga aku..sebedau aku bejaku panjai,....bla bla..

Lalau; enti kitai diasuh bejaku, tusun leka jaku kitai anang nunda leka jaku baka ka ditulis aku atas nya..

sampi ai ansah

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AI ANSAH
Tu ai tusu tanah madu,
beri antu Raja Sempurai,
ai keruh tanah tumbuh,
ari entigis ulu sungai.

Ti udah ditanam dara Ngancam,
alam emperan tanah landai,
Padi pan nyadi,
ari kaki nyentuk ke serarai
lalu dibai iya pulai,
ke perentang rumah panjai.

Di jembi Dara mereti,
di atas tikai ari pagi sampai ke lemai.
Ari nya, lalu dipusin ka injin dua berintai,
peda beras naka pemadas.
Udah nya dipanduk dara gauk,
ngena periuk tiga berintai.
Digaga dara Lenta,
ngena bingka lia pulai,
lalu di pandi ka iya,
ba gelanggang gelumbang bebungai.

Nya alai ke lemai tu,
ai tu di kumbai ai Keling seduai sempurai,
malikat seduai nabi Awai.
Ai pengayu ku antu,
Bunsu Sempandai.

Enti kelia,
teleba ngerebah ke gajah beganding dua;
Dikena Rentap Guntur Menua,
nunduk di sadok ngelaban Raja,
Endang ke buah jaku sida ke indu,
dikegaga ka sida ke dara;
Di kenang sida ke bujang,
dipuji sida ke lelaki.

Tang diatu
enda ga iya bakanya wai,
Laban hari udah bebali,
dunya ga enda sebaka,
Laban diatu enti di seradak ke sida ke biak ;
tak enda berasai sida betejengkak ngenjun geladak
papan pelangka
Enti dipakai sida ke tuai,
tak enda berasai panjai umur nguan menua,

Enti ditegu sida ka indu,
enda berasai sida nabu ubung benang jera,
Enti dirasa sida ke dara,
tak enda berasai bulih peruji ati sulu di mata,
Enti dituang sida ke bujang,
enda berasai beteridun sida Endun minta no. telepon,


Laban tu ga ai pengayu,
ngasuh kitai gayu guru,
lantang senang nguan menua.


DIGAGA KABAN AKU. CIKGU MATHEW

How to ACTIVATE Windows XP without any software

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This is a simple but effective registry hack that has been tried and tested several times by me…


If you don’t believe me then try this for yourself!
1 – Start menu/run/ type “regedit” and press enter,
this will take you to the registry editor
2 – Now follow this directory:
HKEY_LOCAL_MACHINE/Software/Microsoft/WindowsNT/CurrentVersion/WPAEvents
3 – When you get to WPAEvents in the righthand column there should be “OOBETimer”
right click it and go to “modify”
Change the numbers in there to :
FF D5 71 D6 8B 6A 8D 6F d5 33 93 FD (this works with Windows XP Home and Pro, both 32 and 64bit versions)
4 – When you’ve entered them, right click on the file “WPAEvents” and go into “permissions”
5 – In there highlight “SYSTEM” and underneath it check the two boxes under “deny” and click “OK”
Phew thats it!!! I know it looks complicated but it’s really easy, it just requires patience.
I tried this when I used up the amount of times you can activate Windows XP, it worked a treat!
To check that Windows is activated, simply click on Start menu/All Programs/Activate Windows.
It will say “Windows is already activated”.

Photoshop CS4 After the Shoot pdf

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Photoshop CS4 After the Shoot

Contents
About the Author . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . v
Acknowledgments . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .xiii
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .xxi
Chapter 1: Creating an Organized System . . . . . . . . . . . . . . . . . . . . . 3
Understanding File Formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Image capture formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4
Editing formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Output fi le formats . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Organizing Different Kinds of Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Considering the non-destructive workfl ow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Three kinds of workfl ow fi les . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Creating a virtual fi ling cabinet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9
Naming your folders and fi les . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10
Backing Up and Archiving . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Hard drives . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
CDs and DVDs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14
Chapter 2: Overview of Bridge . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
Understanding the Default Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
The Content panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19
Favorites and Folders panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Filter and Collections panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Preview panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Metadata and Keywords panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
The Applications bar . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
Modifying the Bridge Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 25
Using workspace presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26
Creating custom workspace presets . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27
Setting up Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
Working with the Cache . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32
Chapter 3: Downloading and Organizing Your Photos . . . . . . . . . . . . 34
Downloading New Photos from Your Camera . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36
Using Keywords to Identify Photo Content . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38
Organizing keywords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Creating and adding keywords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40
Searching for keywords . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Organizing and Classifying Photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Using labels and stars . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42
Renaming photos after downloading . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44
Creating a collection of your favorites . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Using Slideshow and Review Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46
Changing the Way Photos are Sorted . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
Working with Metadata . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Creating a custom metadata template . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48
Using the File Info command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50
Chapter 4: Introduction to Working with Raw Files . . . . . . . . . . . . . . 54
What is Raw? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56
Disadvantages of shooting raw . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
Exposing a raw fi le correctly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58
Working with Metadata in Raw Files . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61
Setting Camera Raw Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63
Converting Raw Files with Adobe Camera Raw . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
Overview of the ACR workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Converting a raw fi le for editing in Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . . 67
Working with multiple photos in ACR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 70
Comparing 8-bit and 16-bit fi les . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 74
Chapter 5: Learning to Use the Photoshop Workspace . . . . . . . . . . . 76
Deconstructing the Workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78
Working with Panels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 80
Panel groups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
The panel dock . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
The panel menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82
Personalizing Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Customizing the workspace . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 83
Customizing menus . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 84
Different Ways of Viewing Images . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
View Extras . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 86
Zooming and panning . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 87
Setting Up Preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
General preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 92
Interface preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93
File Handling preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Performance preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 94
Cursor preferences . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 96
Chapter 6: Adjusting Brightness and Contrast . . . . . . . . . . . . . . . . . 98
Understanding Histograms . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
How exposure affects the histogram . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100
How subject matter affects the histogram . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102
Working with the Histogram panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 105
Adjusting Brightness and Contrast with Levels . . . . . . . . . . . . . . . . . . . . . . . . . . 106
Advanced Tonal Adjustment with Curves . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 110
Gaining Control with Adjustment Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 113
What are Photoshop layers? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Working with the Adjustments panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 114
Creating an adjustment layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 115
Balancing Contrast with the Shadows/Highlights Command . . . . . . . . . . . . . . . . 118
Chapter 7: Working with Color . . . . . . . . . . . . . . . . . . . . . . . . . . . 124
Calibrating Your Monitor . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
Understanding Color Theory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Subtractive color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 128
Additive color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 129
Managing Color in Photoshop . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 130
Comparing color spaces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 131
Choosing a color space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 132
Setting up Photoshop’s working space . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 133
Understanding Color Channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137
Using the Info Panel and the Color Sampler Tool . . . . . . . . . . . . . . . . . . . . . . . . 138
Adjusting a Photo’s Color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 141
Removing a color cast with Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 143
Learning color correction with the Variations command . . . . . . . . . . . . . . . . . 145
Adjusting color with the Color Balance command . . . . . . . . . . . . . . . . . . . . . . 145
Fine-tuning color with the Hue/Saturation command . . . . . . . . . . . . . . . . . . . 146
Using the new Vibrance command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 151
Chapter 8: Using Selections to Control Your Adjustments . . . . . . . . 154
Using Photoshop’s Main Selection Tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
The Marquee tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 156
The Lasso tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 159
The Magic Wand tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 163
The Quick Selection tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 165
Secrets of selection success . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 166
Fine-tuning Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Feathering a selection’s edge . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 168
Using the Refi ne Edge command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 169
Cutting and Pasting with Selections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 172
Using the Transform Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
Chapter 9: Creating Flexibility with Layer Masks . . . . . . . . . . . . . . 178
What Is a Layer Mask? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Working with the Brush tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 180
Changing Brush settings with the Options bar . . . . . . . . . . . . . . . . . . . . . . . . . 181
Keyboard shortcuts for managing the Brush tool . . . . . . . . . . . . . . . . . . . . . . 183
Using the Brushes panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 183
Working with a graphics tablet . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 184
Creating a Layer Mask . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 186
Using a Selection to Create a Mask . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 190
Refi ning a Mask with the Masks Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 192
Using Masks with Adjustment Layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 195
Combining Selections, Adjustment layers, and Masks . . . . . . . . . . . . . . . . . . 197
Chapter 10: Improving Your Photos with Retouching . . . . . . . . . . . . 200
What is Retouching? . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 202
Basic Retouching with the Clone Stamp Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Removing distractions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 203
Adding visual elements with retouching . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 206
Undoing with the History Brush Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 208
Advanced Cloning Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Cloning to a different layer . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 209
Ignoring adjustment layers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 211
Cloning from one image to another . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Using the Clone Source panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 213
Adjusting geometry as you clone . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 214
Using the Healing Brush Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 216
Busting Dust with the Spot Healing Brush . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Using the Patch Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 219
Fixing Red Eye in a Flash . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 222
Sculpting with the Liquify Filter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 224
Chapter 11: Getting Creative . . . . . . . . . . . . . . . . . . . . . . . . . . . . 226
Burning and Dodging . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Using Photoshop’s Burn and Dodge tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . 228
Burning and dodging without Photoshop’s Burn and Dodge tools . . . . . . . . . 229
Using the Black and White Command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
Toning a Black and White Image . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237
Introduction to Photoshop’s Filters . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 238
Using the Lens Blur fi lter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 239
Adding motion with the Radial Blur fi lter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 240
Creating Panoramas from Multiple Photos . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Using the Photomerge command . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
Tips for shooting photos for a panorama . . . . . . . . . . . . . . . . . . . . . . . . . . . . 247
Chapter 12: Finishing the Image . . . . . . . . . . . . . . . . . . . . . . . . . 249
Changing an Image’s Resolution and Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Understanding resolution . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 250
Doing the simple math . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 251
Resampling the image size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 252
Using the correct image interpolation method . . . . . . . . . . . . . . . . . . . . . . . . . 255
Changing size and resolution together . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 255
Using the Crop Tool . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
Professional Sharpening Strategies . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 259
Understanding sharpening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 260
Three kinds of sharpening . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 261
Photoshop’s main sharpening tools . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Sharpening for output . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 266
Chapter 13: Printing Your Favorite Photos . . . . . . . . . . . . . . . . . . . 270
Soft-Proofi ng Your Prints on Screen . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
Bringing Out-of-Gamut Tones and Colors into Line . . . . . . . . . . . . . . . . . . . . . . . 276
Inkjet Printing with Photoshop’s Print Command . . . . . . . . . . . . . . . . . . . . . . . . 279
Understanding the settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
Letting the printer manage color . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 284
Evaluating the print . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Saving money with test strips . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 285
Using a Photolab for Printing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 288
Chapter 14: Creating Slideshows and Web Galleries . . . . . . . . . . . 290
Overview of the Adobe Output Module . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 292
Preparing Photos for Slideshows and Web Galleries . . . . . . . . . . . . . . . . . . . . . 293
Creating a PDF Slideshow . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
Building and Uploading Photo Galleries . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 299
Designing a Web gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Uploading your Web gallery . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 302
Batch Processing with the Image Processor . . . . . . . . . . . . . . . . . . . . . . . . . . . . 304
Appendix A: Resouces . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 308
Appendix B: Keyboard Shortcuts . . . . . . . . . . . . . . . . . . . . . . . . . 308
Glossary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 322
Index . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 328

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